Trang chủ Tiếng Anh Lớp 9 Anton Chekhov was a Russian playwright and short story writer born in Taganrog in 1860. In 1879, he became a...
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Anton Chekhov was a Russian playwright and short story writer born in Taganrog in 1860. In 1879, he became a medical student in Moscow, later qualifying (1)_____ a doctor. With a needy family to support, Chekhov (2)_____ to writing, contributing short humorous stories and sketches (3)_____ popular newspapers. His major work (4)_____ to come towards the end of his short life -- Chekhov died of tuberculosis in 1904 -- his reputation resting chiefly (5)____ four plays, The Seagull, Uncle Vanya, The Three Sisters and The Cherry Orchard, written in 1896, 1899, 1901 and 1904 (6)_____ All four workers, while gloomy and pessimistic (7)_____ tone, blend a poetic atmosphere (8)_____ a sympathetic treatment of characters (9)_____, unable to break (10)_____ of the vicious circle that they find (11)_____ in, are trapped in unfulfinglling lives which they feel (12)_____ powerless and dispirited to change. They (13)____ be regarded as symbolic (14)_____ the torpor and stagnation of late nineteeth century Crarist Russia. (15)____ realism is a product of Chekhov's scientific traning and experience as a provincial doctor. They remain masterpieces of Rusian literature


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Anton Chekhov was a Russian playwright and short story writer born in Taganrog in 1860. In 1879, he became a medical student in Moscow, later qualifying (1) as a doctor. With a needy family to support, Chekhov (2) turned to writing, contributing short humorous stories and sketches (3) to popular newspapers. His major work (4) was to come towards the end of his short life -- Chekhov died of tuberculosis in 1904 -- his reputation resting chiefly (5) on four plays, The Seagull, Uncle Vanya, The Three Sisters and The Cherry Orchard, written in 1896, 1899, 1901 and 1904 (6) respectively. All four works, while gloomy and pessimistic (7) in tone, blend a poetic atmosphere (8) with a sympathetic treatment of characters (9) who, unable to break (10) out of the vicious circle that they find (11) themselves in, are trapped in unfulfilling lives which they feel (12) too powerless and dispirited to change. They (13) can be regarded as symbolic (14) of the torpor and stagnation of late nineteenth-century Tsarist Russia. (15) Their realism is a product of Chekhov's scientific training and experience as a provincial doctor. They remain masterpieces of Russian literature.

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